The representation of professions by means of metaphor filters through the collar color, which is based upon their performance. Suchlike propagation distinguishes between an artist and architect. The first one is defined as “No Collar” and the other varies between “White Collar” and “Green Collar”. For some reasons art and architecture seems to have lost the thread of being one during the process, and this project opens such a question in order to reflect conceptually while working in architecture and considering it nothing but another medium of art. How does this issue arouse curiosity in another scale? With the background on art, educated firstly in classical school of art (Graphic and Painting in Prishtina) and then in Conceptual Art (Academy of Fine Arts in Vienna), architecture was the next field of study, where I consider this continuity from one to another as an important process (back-forward), and practically speaking, exchanging and constructing forms of knowledge as a devolution of bridges in between. To the question of how the study of architecture came after art, I usually answer: it is an art project. And, if I create a cultural contemporary work, art and architecture transpires just as one field subsisted. Where is the influence coming from? “No influence, is the new influence”, this is my statement, and if I elaborate it with other words obviously the work of art and architecture is a social reflection, which is constructed through facts and it is an expression to a specific issue in different (unexpected) formats. These works dont just aim an addition, another work as an influence in continuity, but they are a new creation (there where the name creation comes from). Influence or inspiration is practically (for artist) the inside world which conceives certain composition within the reality in order to verbalize the truth in more authenticity. Since the moment of completion came, to finalize the study with the Diploma project and to close a chapter in order to open another one; it shoed showed up the moment toward the influence or the inspiration. Naturally, this moment comes with the question of what experience is made through the years of study and life in general as an escapade. These moments of thinking back have then no limitation, that means that you might go too far back in the state in which I was, and once browsing through the memories I arrived in Prishtina (Kosovo) where I remember my childhood and from where everything started (again). For an artist (we call creator), childhood is the most important part of the life, because it is the part without suppression that is free from censorship. That is why artists are just like kids that are naturally focused on the truth and reaction is a natural and an unpretentious act. To this above all, it appeared a confident and moral obligation and Prishtina became the city and starting point of creating a work in order to be able to construct a work out of all the experiences as finalization within a single project. The very first question while making analyzes of the city occurs to be the representation and the actual state of the city. What are the problems? In which direction is it developing? The most important aspect of issuing the city naturally aspirated? Is the human, the citizens and their rights, and the focus lies on creation of places for their needs and development. The recent image of the city shows a certain transition, that architecturally might have different influences by losing the path of late modernism, and social-politically is known that the place experienced by its war, which ended in June 1999. Such difficulties and troubles that the past created made it extraordinary difficult for the country and city to respond to all the needs and to answer through any hastiness in development. This comprises the main question of how to help in order to create a city for everyone by giving respect to the people. The aim of this project is to create an Institution that can help to solve other problems, which has to play double roles both that are cultural and educational. This Institution, has to operate as an active center not only for Prishtina, but also for the whole country, as the city practically is frequented daily from people with a special mission that might be work, education and so on, just as other capitals, but because of the size, infrastructure and other reasons, here the city plays more the role of the daily center. Another assignment that might be working through this Institution is the connection to the world by creating a space of exchange and development. Such an Institution in form of a Cultural Center is very urgent for the future development, since a Museum belongs to the education, not because of cultivating exclusively new culture in the sense of innovating something new, but to keep the culture of the past, link it to the recent history and work toward the future. By the virtue of political and social barriers that city is facing, noteworthy is the local mobility for a solution and that is the matter of awareness. Giving respect to people and making a city for everyone is the goal. This includes work, carefulness, increasing the quality of life through the issues such participation, reducing inequality, gender equality, climate change, health, education and so on, which has to be worked out through progress and partnership, where everyone has to contribute. This achievement and hope is the work and matter of process, which has to connect the past, present and the future and culture is the only hope through which such a destination could be reached. Establishing an Institution that includes art and architecture will be a starting point of engagement and will give power to the people, potentiate to have access to and through the culture that they can gradually develop and build a sustainable city and life. In attempt to achieve a goal of sustainable city and life, strategically starting through culture by creating a platform of exchange, participation and engagement, this platform is a single building placed in the very center of the city which architecturally, functionally and conceptually refers to the existing infrastructure and the topography that city owns, speaking in the language of postmodern architecture. This concept for a Contemporary Center Museum located in the center of Prishtina (Kosovo) goes few steps above as reaction within the context of contemporary work, first on the discretion, while considering culture very indispensable, that has to be very central in relation to the city, and second considering the process of art and architecture as same equally important as the end product. By such reasoning so, the Center Museum includes other parameters in operation, making more space for process of work open to all mediums, restructuring the functions and relations within the building where artists and architects are present and active. “Transparent Collar” is the new term for our contemporary era, where tentatively artists and architects find each-other (again) in the same category, since their performance is based on creativity, openness, reaction and vision practically it is reflection.